Two girls are completely finished now. With all the distractions that have presented themselves over the last few months it took a very long time.
This series of dolls was created as a pleasurable indulgence. They are about play. They were also a project that could allow for some freedom. They do not have to evoke a certain likeness just an approximate one. It is more important that they are evocative but equally important is that I create something a little different.
It was important to work from the simplest cloth doll form. Nothing too fancy or heavily wrought, tweaked over, engineered. I deeply appreciate the cloth doll made from scrap, from available materials, created from nothing much to please a child of times gone by. That history, simplicity, authenticity moves me.
The embroidered faces of my first series of dolls wore out my patience. I create in a ball of fury and, being an Aries, that fury is strong but short-lived. Sitting for a long spell at the same task is very trying for me. ADD? Probably.
There is nothing like that initial flash of an idea and the desire to make it real. It’s delicate. It’s like mist. It rises and disintegrates so quickly.
Gotta get it while it’s hot.
This series of women in their lingerie, inspired by Egon Schiele’s sketches, was meant to be free of marketplace concerns.
Would anybody want them? Are they sellable?
These dolls are about exploring my ability to covey a particular aesthetic. They are about learning to control the language spoken by the materials.
I began using permanent markers, Prismacolor pencils, lips cut from cloth thereby reducing the amount of embroidery on the face. I like the look of it and allows me to see results more quickly, to add color quickly.
I was not always happy with the way the embroidered lips turned out. Especially on my Mick Jaggers. I kept thinking that the lip thread could catch on something and be pulled out-of-place. Mick’s lips would be in disrepair. Egad.
The bigger the lips the more stitches and layers of thread were required. Hours and hours of stitching. It was growing impractical for production.
Experimental creations keep me hopping. I love the process of discovering of being in the moment not knowing how something will turn out.
Hair-dos have always been my favorite part of doing the dolls (after doing the face).
I love cutting shaggy dos but in this series I wanted a form that stood for the up do. I wanted to have a built mass/shape and I’ve added only a few tendrils. It isn’t too heavy.
Some dos on dolls in the first series were top-heavy. Poor Stevie had to have a leg-strengthening operation just to hold his head up.
O course, the beads didn’t help.
The second series of Lingerie Dolls will lead me back to the creation of dolls of women artists. I have the pictures and a list — Georgia O’Keeffe! Yayoi Kusama! Natalia Fabia! Alice Neel! Shall I go on?
Because time is what it is, because my desire fires and cools, because I see the creative process as beautiful ponies on a slowly turning carousel, I wait until a pretty one comes back around and then I jump on.
I dream of getting to get to them all eventually.
The Robyn Hitchcock doll is still up there — large, capable, exciting, shaking his silvery locks, twitching a little under the influence of his next musical move. ♥♥♥.